Nani HIT 3: Budget, Pre Release Business, Theatrical Rights

Nani’s upcoming investigative thriller “HIT: The Third Case” (HIT 3) isn’t just another film—it’s a masterclass in budget management and strategic filmmaking. Directed by Sailesh Kolanu. The film set to release in May 1st and the movie has been meticulously crafted to ensure maximum returns with minimal risk. Here’s how Nani and his team turned HIT 3 into a box-office goldmine even before release!

Nani’s Zero-Remuneration Deal: The Game-Changer

• Unlike typical star-led projects, Nani did not take any upfront salary for HIT 3.
• Instead, he opted for a profit-sharing model, drastically reducing production costs.
• The entire film was made on a tight budget of just ₹60 crores—unheard of for a star-driven franchise film.

HIT 3 Budget Breakdown

• ₹8 crores spent on foreign technicians for high-quality action sequences.
• Adivi Sesh’s cameo – Paid less than his usual fee (since his role is smaller than in HIT 2).
• No extravagant sets or overseas shoots – Focused on slick storytelling over unnecessary glamour.

HIT 3 Pre-Release Business: Already in Profit!

Distribution Rights Sold for Huge Sums

AP/Telangana: ₹10 crores
Ceded: ₹5 crores
Nizam: ₹10 crores
Overseas: ₹10 crores
Total (Theatrical Rights): ₹35 crores

HIT 3 OTT & Satellite Deals

OTT Rights (Netflix/Zee5) – Sold for ₹6 crores.
Satellite Rights – Expected to fetch ₹5-7 crores.
Hindi Dubbing Rights – Additional revenue stream.

Total Recovery Before Release: ~₹54 Crores – (Almost 90% of the budget recovered from non-theatrical sales!)